Abstract
The paper examines the event of the pandemic combined with Bolsonarismo in a set of short films in which the confined space of the house, domestic objects and the present time are highlighted. It incorporates interviews with directors focused on the urgency of these productions as well as their toxic and poor images. It concludes that these films and interviews are a work of memory for the future and asks whether such images will be able to reorganize what happened in order to glimpse the future.
Keywords toxic images; poor images; pandemic; body; cinema